Performance: April 23, 2011 6p at Salt Space: 1158 Broadway, New York City
When approached to present a performance piece for the opening exhibit entitled, “Preludes” to be performed at the Salt Space in Manhattan, I decided to take on the emotional mindset of Jesus Christ as he made His way to the Garden of Gethsemane. I consider this a daring challenge, and as such, I could not pass up.
Research began with Biblical texts from the four gospels as well as Peter Gabriel's music on the Passion. I also focused on Mel Gibson's movie version that starts the opening scene in the Garden. Having performed in Israel, I also draw on the memories of that environment: its culture and long history. This is probably the most physical and intense of performances I have taken on in dance, and all this on hard wood floors.
This is also a collaborative effort with percussionist and drummer, Anthony Taddeo. I wanted to have him present sounds that were not as what the western ear traditionally hears.
Anthony uses a 5 piece drum set, a Cajon from Peru, and a frame drum from North Africa. He uses a combination of different beaters depending on the emotion that is being evoked and the tempo; and trying to find the balance between interaction with the dancer and what he feels the music is trying to convey through an amazing story.
Mickey Miklos’ handling of the lighting in this performance greatly enhances the mood of the piece. He transfixes the space and lights the walls that casts haunting shadows of the performer; with deep dark colors surrounded by complete darkness, Mickey’s skill has helped provide an eerie and intense feel.
I wanted to wrestle with the thoughts and struggles while in the garden that He (Jesus) endured between His “humanness” and His “Godness”. Knowing His mission from before the beginning of time, and now with the time now upon Him, how greatly He revealed this duality in such an intimate setting. Jesus was sorrowful to the point of death! Sweats of blood! He cries out to His Father to have to have Him excused from the very point of His earthly calling. Why?
i'm listening to music again. sometimes as i'm in the process of creating, i just cleanse myself from as much sound within my control. but now and unexpectedly, my culture made a surprise return visit in the form of "Bad Card", a song written by Robert Nesta Marley on the Uprising album. i remember the album because when i first heard this tune, i had to get my own, purchased in Kingston, Jamaica (land we love). this is not one of Marley's more popular and commercial of tracks, but it should always have been. "Bad Card" holds so much sentiment and emotion that has just burst back in my life - as if i hit an oil line that had been considered dry a fairly long time. (as i write, i listen to this song on constant repeat.) so how did this song just explode back into my conscious? i was spending time at a friends apartment in Brooklyn. we were just chillin' out to his extensive and eclectic music from his mac. he had no specific playlist, but randomly i heard some Marley. but then this... "Bad Card" came on and it took me to one very memorable moment.
does not music place you back to certain moments of life? even as i listen now, i am a youth again, walking the streets of Kingston, enjoying the heat of the day and the smells of roast breadfruit and pan chicken sold cheap on the summertime streets. i listen more... and i am but a child who finds this one record of Bob Marley, "Natty Dread". my parents? strict and ol' school, yet even they couldn't turn their eyes away from a fellow countryman who changed the world with his voice. my parents didn't encourage the use of "us" speaking pat-wah. for that was not how "we" spoke. but it was funny to hear them move far away from this when me, or either my brother or sister were being punished. and when guests came over it all started out proper, but a few white rum and cokes, or Guinness and Red Stripes later, that all fell by the wayside.
Natty Dread was my first introduction to Bob Marley and his music. i don't remember my age, but i was well under 8 years of age when i found and took it into my room, locked the door and listened over and over again - each song a multiple of times. (like now!) i would listen to that record for hours at a time for nights on end. you know those points in a song that make you... when you hear it, you want to hold on to it forever? sometimes there's a build up to it and then that moment... and then it's gone! so i have to listen to it again. i want to get inside it. be in it and keep that moment or moments for ever. this album had all the lyrics in the record sleeve and, although it wasn't accurate, i learned every song. i wrote out all the lyrics on a pad of yellow legal paper that my father allowed me to use. i wanted to evoke his soul! Bob Marley was entering me as i dissected every aspect of what made him who he has been to all that come in contact with his music. i was studying this man, though i did not know it at the time - playing this record over and over again; holding the cover and looking at all the pictures and trying to understand - to see the soul rebel within those eyes.
i still never really defined what it was that i was doing as a child that still follows me even now. still craving that note, or those notes that lead to that one note or moment i can't ever hold on to. how about the way one inflects his or her voice in a way that is just... right. but i still love the challenge to capture or experience that... thing that it does to me and hold it forever. always fleeting, but still grasping... over and over again.
now i'm "back a yaad": Jamaica. i am in my teens and this time is special! because Jamaica has qualified for the world cup for the 1st time and my father had acquired tickets for us with some friends in a box right next to P.J. Paterson, our prime minister at the time. i don't quite remember if we had already qualified or not, but tensions were not high, and we seemed to have had enough points even with a tie. there were murmurings about three players from England and the premiere league, but because they were of Jamaican descent were able to represent. it was a good thing because they were good and organized, so i don't know what all the fuss was about.
we made it to Jamaica National Stadium! my (half) brother and his wife were there as well as "Uncle" Dennis, a close family friend. i remember being in that stadium before. running for Olympic trials as a 400 meter hurdler. the place was packed with everyone wearing the countries colors with great pride. ah, the people - my people! music is the heartbeat of the people, and the speaker boxes were stacked high and played as often as there was no action on the field. it was a party before, during and after the game. i had to have my father get some pepper shrimp they were selling and downed a Guinness or two. my father is a different person when in Jamaica. he is happy and seems more... free.
the game went along great and i was enjoying the experience. now it is half time and the players have left the field. but i could never predict or expect to believe what just was about to happen. the selector, or dj, played "Bad Card"! sounds simple at first - for the stadium was filled with all sorts of great tunes playing time and again. but when this song played, it transcended the whole stadium to unity in one instant. the song starts with just a few measures of music, and then that voice: "dem a - go tired fi see we face, can't get we out of the race..." the crowd erupted, but in sync and in a rhythm that only Jamaicans possess! the words speak so much more in those two lines that can be written down. as the "massives" move and sung to this song, i too, danced and sung along, honored knowing i was apart of something very unique and special. this little country, this island that can not and will not be ignored by the world remains and thrives and defies all odds and obstacles without any apologies. when a tune does what "Bad Card" did that day, only one thing can happen. it is traditional for the selector to wheel that track back and play it again.
he builds it up to a point and then it halts and then is replayed with great fan fair. hmm... this sounds familiar. maybe he understands that we all long for that one moment that we wish could hold on to and would last for ever. he did this over and over again as there was no protest. i was filled with so much pride, joy and excitement to watch my people - to be apart of a rich culture that "they" just cannot get "we" out of the race. the song speaks of a game where one of the players draws a bad card, but this... was a great moment!
When I met her... again, at once I gazed in her eyes Needing confirmation in the thing that never lies. Had I created in her... a sort of super woman friend? At last I'll know that what was lived was not merely pretend. My heart beat fast as did my legs the closer I did come A figure of this wild beauty, she had to be the one And at first glance the truth had won - a power that was more Much more than did my mind create - much greater than before. The world spun round as I did her in my arms off the ground And will she ever know she symbols something I have found?
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